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unknow artist
A still life with tulips, roses, a red turban cup lily, auricula, jasmin, an iris, carnations and other flowers in a vase, all in a stone niche.
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ID: 74947
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unknow artist
Related Paintings of unknow artist :. | Full of life | Sancta Lilias | Still life of roses,tulips,chyrsanthemums and cornflowers,in a wicker basket,upon a ledge | European city landscape, street landsacpe, construction, frontstore, building and architecture. 307 | den unge dostojevskij | Related Artists: Filippo Palizzipainted Antico corridoio napoletano in 1818 - 1899 ABBATE, Niccolo dellItalian Mannerist Painter, ca.1512-1571
Italian painter. He was trained in Modena and developed his mature style under the influence of his contemporaries Correggio and Parmigianino in Bologna (1544 ?C 52). There he painted portraits and decorated palaces with frescoes of landscapes and figure compositions in the Mannerist style. In 1552 he was invited by Henry II of France to work under Primaticcio at the Palace of Fontainebleau, where he executed immense murals (most now lost). He remained in France the rest of his life. His mythological landscapes were a principal source of the French Classical landscape tradition, and he was a precursor of Claude Lorrain and Nicolas Poussin. Francis HaymanEnglish Painter, 1708-1776,English painter and illustrator. He was in London at the age of 10, and from 1718 until c. 1725 he was apprenticed to Robert Brown (d 1753), a decorative painter. From 1732 Hayman was employed as a scene painter at Goodman's Fields Theatre, where he painted allegorical works such as The King Attended by Peace, with Liberty and Justice Trampling on Tyranny and Oppression on the pit ceiling (destr.). He moved to Drury Lane Theatre in 1736, shortly before the Licensing Act closed Goodman's Fields. At Drury Lane he painted scenery for Thomas Arne's masque The Fall of Phaeton (1736) and was praised for his naturalistic landscapes. From the late 1730s he began accepting commissions for portraits and conversation pieces. His success in the field of portraiture rested on the dearth of good portrait painters in England at the time and his exploitation of a growing middle-class clientele. Hayman painted portraits of doctors, literary men and actors.
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